CoverIn Rainbows

Radiohead

Date issued : 2007

Number of tracks : 10

Your genre : Alt. Rock

 

Wikipedia genre : Alternative rock

Creator's biography

Photo du créateur

Radiohead are an English alternative rock band from Abingdon, Oxfordshire. The band consists of Thom Yorke (lead vocals, rhythm guitar, piano, beats), Jonny Greenwood (lead guitar, keyboard, other instruments), Ed O'Brien (guitar, backing vocals), Colin Greenwood (bass guitar, synthesizers) and Phil Selway (drums, percussion). Radiohead released their first single, "Creep", in 1992. The song was initially unsuccessful, but it became a worldwide hit several months after the release of their debut album, Pablo Honey (1993). Radiohead's popularity rose in the United Kingdom with the release of their second album, The Bends (1995). Radiohead's third album, OK Computer (1997), propelled them to greater international fame. Featuring an expansive sound and themes of modern alienation, OK Computer has often been acclaimed as a landmark record of the 1990s. Kid A (2000) and Amnesiac (2001) marked an evolution in Radiohead's musical style, as the group incorporated experimental electronic music, Krautrock, post-punk and jazz influences. Although critical opinion was divided, Radiohead remained popular. Hail to the Thief (2003), a mix of guitar-driven rock, electronics and lyrics inspired by headlines, was the band's final album for their major record label, EMI. Radiohead independently released their seventh album, In Rainbows (2007), originally as a digital download for which each customer could set their own price, later in stores, to critical and chart success. Radiohead's work has appeared in a large number of listener polls and critics' lists.

See also

Tracks

Critic from BBC Music

Review of In Rainbows - Radiohead, by Chris Jones

The good news: With In Rainbows Radiohead may well have created their own Physical Graffiti. Drawn from over 10 years of sketches, outtakes and live renditions that finally get nailed, it's a veritable summation of everything you love about them – from rhythmically challenging jazz funk prog to droning repetitive exhumations of the socio-political conscience (rock 'n' roll…phew). Of course it's ironic that the band has finally released what to many fans will be the true heir to OK Computer as what is ostensibly a freebie. Their new marketing and distribution model may be making a mockery of conventional business models, but it’s also making a mockery of the critic's job too. How to sum up what is obviously a MAJOR work after just a morning's worth of plays?

In Rainbows proves, once and for all that Radiohead still have the will and desire to not just weird us all out, but to make achingly, desperately beautiful music. Beginning with some of that familiar Warp-inspired glitchiness, opener, "15 Step"'s children’s voices and odd-meter clapping is astoundingly uplifting. "Bodysnatchers" is the kind of crunchy guitar rock that we’d all given up hope that they’d ever record again and "Weird Fishes/Arpeggi" takes Johnny Greenwood’s orchestral piece and turns it into a chiming thing of post-rock wonder. Already they've made you feel guilty for not donating more money for your download…

Every song’s nuances are exquisite, but problems do arise when you try to get inside the lyrics. Sometimes In Rainbows seems almost wilfully mixed to obscure Yorke’s words. Like an early Can album, little dislocated phrases or repeated mantras jump out. Shorn of context and usually sung in a slurred delivery that’s become more pronounced, this can have a deeply (and one suspects deliberately) disturbing effect.

However themes do emerge: One being the surprising inclusion of several songs about ‘relationships’. But while the opening line on “House Of Cards”, (‘I don’t want to be your friend, I just want to be your lover’) may have you worrying that Thom's turning into Prince, this is still Radiohead we’re listening to. "All I Need" is a string-drenched song of desire and dependency, but comes equipped with lines like: 'I'm the next step waiting in the wings. I’m an atom bomb trapped in your hot car', How utterly romantic.

So, big sighs of relief all round. In Rainbows is the sound of a band who effortlessly straddle the avant garde/popular divide, and also sound like they actually enjoy being themselves again. They’re back at the top of their game. Now go back and pay some more, all you 50 pence donators. This is a band that needs all the support we can give them.