CoverPocket Symphony

AIR

Date issued : 2007

Number of tracks : 13

Your genre : Trip-Hop

Label : Virgin Records

Wikipedia genre : Electronic music

Creator's biography

Photo du créateur

Air (sometimes spelled with all capital letters as AIR) is a French music duo, consisting of Nicolas Godin and Jean-Benoît Dunckel. The name AIR is a backronym for Amour, Imagination, Rêve which translates to Love, Imagination, Dream. AIR's debut EP, Premiers Symptômes, was followed by the critically acclaimed album Moon Safari, the re-release of Premiers Symptômes, The Virgin Suicides, 10 000 Hz Legend, Everybody Hertz, Talkie Walkie and Pocket Symphony. Their most recent album, Pocket Symphony, was released on March 5, 2007. The album features former Pulp vocalist Jarvis Cocker and Neil Hannon of The Divine Comedy, and is produced by Nigel Godrich. AIR went on a European tour in March, followed by a North America tour that included an appearance at the Coachella Valley Music and Arts Festival. In March 2008, they toured Australia for the first time with the V Festival.

See also

Description

Pocket Symphony is the fifth full-length album by French duo Air. The album was released in March 2007 and features collaborations with Jarvis Cocker and Neil Hannon. Pocket Symphony also incorporates some of the Japanese instruments Godin recently learned to play from an Okinawan master musician: the koto (also referred to as a Japanese floor harp) and the three-string, banjo-like shamisen. However, a press release claims that "conventional instruments continue to play a great role" in the duo's music. The album features art by Xavier Veilhan. The first single from this album, "Once Upon a Time", can be heard on the group's MySpace page. Pocket Symphony debuted on the U.S. Billboard 200 at number 40, with about 17,000 copies sold in its first week.

Tracks

Critic from BBC Music

Review of Pocket Symphony - Air, by Chris White

Back in the late 1990s, chill-out was big news. With its floating, languid melodies and relaxed, unobtrusive beats, the genre was lazily described as dance music for people who didn’t like dance music, even though in reality it was no more likely to inspire the frenetic throwing of shapes in packed nightclubs than the compositions of J.S Bach.

While names like Bent, Lemon Jelly and Kinobe received favourable reviews and decent sales, it was French duo Air who were the undoubted kings of the chill-out scene, with their debut album Moon Safari its crowning glory. Hit singles like “Sexy Boy” and “Kelly Watch The Stars” combined the euphoric electronic energy of compatriots Daft Punk with the effortlessly cool, laid-back pop sensibilities of Serge Gainsbourg, while elsewhere the band expertly mined influences from Faure to Floyd to achieve an atmospheric alchemy that was both deliciously mellow and curiously uplifting.

Nine years after Moon Safari, Jean Benoit-Dunckel and Nicolas Godin are back with album number six, Pocket Symphony. All the tried and tested Air trademarks are present and correct – rolling piano motifs and softly lilting acoustic guitars, squelching synthesisers and cooing Gallic vocals. The problem is, this is now 2007 not 1998, and a template that once seemed original and timeless now just sounds tired and predictable. Tracks like “Space Rider” and standout moment “Photograph” will be warmly received by longstanding fans of the band, but to be blunt, we have heard it all before, and done better than this.

The dreaded star guest vocalist, often as good an indication as any of an act’s flabby complacency, rears it head on a couple of occasions. Jarvis Cocker does his best to sound interested on the world-weary dirge of “One Hell Of A Party”, although he sounds positively inspired compared to Neil Hannon’s breathtakingly bland performance on “Somewhere Between Walking and Sleeping.” Maybe, like this reviewer, the Divine Comedy’s arch-fop felt closer to the latter state after listening to Pocket Symphony, an album that frustrates and bores in its steadfast refusal to confront the creative rut Air now seem all too comfortable occupying.